not a matter of it but when was developed in 2005–06 in Damascus, Syria. This period of time was marked by momentous events: Rafiq Harriri, the former Prime Minister of Lebanon, was assassinated, the Syrians were pressured to withdraw from Lebanon after a 30-year occupation.
The video image shows the interior of an empty, open space: the borderline between inside and out is thin. Human presence can only be felt through the adjoining sounds: a male voice recalls horrendous TV-images, a popular disaster movie, a long-term imprisonment or hostage-taking
Julien Maire's performances using proto-cinematic apparatuses and micro-machines both evoke and outdistance the illusions of the fantasmagoric projections of pre-cinema.
Satellite, As Long As It Is Aiming At The Sky enters the Los Angeles-based Iranian satellite television stations during their live phone-in programmes. The video follows telephone conversations between hosts and audiences (mostly living inside Iran), where personal, social and political issues are being discussed.
Me, you, he, she, it watches television. The TV screen is the camera lens - TV is watching you. A journey through the TV rooms in Germany. The remote control takes us into living rooms all over Germany...
Two real events are the reason of the work: The Birth of Ammann's daughter and the young family's journey to Brazil. In contrast he presents pictures of the brutality of the world as they are mediated by the media. The confrontation between these worlds...
Video Theory II recycles an essay by Dieter Daniels which discusses the problem of adequate presentation of video-art. Every word is matched with a TV-fragment. The editing speed generates a swift visual experience, letting the recognition of the message, the narrative figurative morsels and sound collide.
Inspired by painter and writer Brion Gysin’s “cut-up technique” (inspired in turn by the Dadaists) William S. Burroughs and Antony Balch’s short film The Cut-Ups is an aggressively confusing and mesmerising audio-visual montage, originally entitled Guerilla Condition and filmed in Paris, Tangier and New York in the years 1961-1965. With a soundtrack...
A face, created out of many other faces, licks the screen with its electronic tongue. A voice states: '25 cm high and 40 cm wide." What is happening in this area? It is not only the screen as a field of interference of stations, languages and information, but also as a battle field, which represent...
Recycled TV pictures tell the story of the Apprentice Sorcerer by Goethe. Is it fear which provokes the pictures, or is it the power of the pictures which frightens us?