Reynold's film tells the story of the Palace of the Republic in Berlin, which opened in 1976 as an emblem of the future of East Germany.

Drawing on both contemporary and historical texts, Ruscica's film deconstructs the idea of the travelogue itself as romanticised history, factual document and idealised experience.

two sides of one piece questions the handling of money in society and the influences money has on religion and politics.

The idea for this video was conceived at the end of an afternoon in Nador (Morocco) when a very strong wind blew the linen on the washing line. It suddenly appeared to the artist as though a striking crowd was trying to go out of its way; static objects became alive and free.