For transmediale.10, F.A.T. Lab will develop FuckGoogle, a collection of browser add-ons, open source software, theoretical musings and direct actions aimed at creating an awareness of the role Google plays in our daily lives.
Artzilla is dedicated to the development of experimental browser software. The platform collects and exhibits creative works, shares code and tutorials, and publishes news from the scene.
Since 2003 Feral Trade (import-export) has been trading small-scale releases of migrant grocery products, sourced directly from their suppliers and circulated along social routes...
The Panoramic Wifi Camera takes ‘pictures’ of spaces illuminated by wireless radio signals, in much the same way that a traditional camera takes pictures through visible light. The work is a powerful example of how artists are creating new methods of visualising the intangible and atemporal environment which we exist within.
A Parallel Image is an electronic camera obscura. This media-archaeological, interactive sculpture is based on the fictive assumption that the contemporary principle of electronically transmitting moving images, namely by breaking them down into single images and image lines, was never discovered.
The Optofonica Capsule creates a futuristic context for experiencing moving image and sound. This highly technologically augmented audiovisual space suggests a future whereby our existing passive tropes of experiencing moving image and sound, have been upgraded substantially.
The installation features a series of Paparazzi Bots, each a tech-hybrid of camera and cameraman, which subtly stalks exhibition visitors. They seek one thing, which is to photograph these visitors, and make themselves famous.
The Invisible Stain is the third installment of Brazilian artist Alice Miceli’s ongoing Chernobyl Project. For transmediale.10, this third presentation will present a completed negative series from the final, decisive stage of the work.
An audiovisual installation by the artist Félix Luque Sánchez (es). A peculiar, geometric object releasing a code of light and sound: synthetically generated images destabilise the viewers' faith in their own perception.
